How to Tour the Cathedral of Junk Backyard
How to Tour the Cathedral of Junk Backyard The Cathedral of Junk is not a traditional place of worship—it is a sprawling, whimsical, and deeply personal sculpture garden built from discarded objects, salvaged materials, and the relentless imagination of one man. Located in Austin, Texas, this backyard marvel has drawn visitors from across the globe, not because of its scale or grandeur in the conv
How to Tour the Cathedral of Junk Backyard
The Cathedral of Junk is not a traditional place of worship—it is a sprawling, whimsical, and deeply personal sculpture garden built from discarded objects, salvaged materials, and the relentless imagination of one man. Located in Austin, Texas, this backyard marvel has drawn visitors from across the globe, not because of its scale or grandeur in the conventional sense, but because of its profound commentary on consumption, creativity, and the beauty hidden in what others discard. Touring the Cathedral of Junk is not merely an act of sightseeing; it is an immersive experience into the heart of outsider art, sustainable reuse, and the power of individual vision. For those seeking to understand how to tour the Cathedral of Junk backyard, this guide offers a comprehensive, step-by-step walkthrough—from planning your visit to interpreting its symbolism—designed to deepen your appreciation and ensure a meaningful, respectful encounter with this one-of-a-kind landmark.
Unlike museums or galleries, the Cathedral of Junk is a living, evolving installation. It grows with each season, each donation, each new object that owner Vince Hannemann adds to its labyrinthine structure. There are no official opening hours, no admission fees, and no guided tours offered by an institution. This makes the process of visiting both uniquely personal and logistically challenging. But for those willing to prepare, engage with the community, and approach the space with curiosity and reverence, the experience becomes unforgettable. This guide will equip you with the knowledge to navigate every aspect of your visit—before, during, and after—while honoring the spirit of the Cathedral and its creator.
Step-by-Step Guide
Step 1: Research the Location and Access Details
Before you pack your camera or plan your route, you must understand that the Cathedral of Junk is not listed on most public maps as a formal attraction. It resides on private property in East Austin, at the home of Vince Hannemann. The address is not publicly advertised to protect the integrity of the space and the privacy of the resident. However, it is accessible through a simple process: visit the official website, cathedralofjunk.com, and submit a visit request form. This form asks for your name, contact information, preferred date and time, and a brief note on why you wish to visit. This step is not bureaucratic—it is essential. It allows Vince to prepare for visitors, manage foot traffic, and ensure the safety of both guests and the structure.
Once your request is approved, you will receive an email with detailed directions, parking instructions, and a confirmation code. Do not attempt to show up unannounced. The property is residential, and unsolicited visitors may be turned away or cause disruption. Respect the process—it is part of the Cathedral’s ethos of mindful engagement.
Step 2: Prepare for a Walking Tour
The Cathedral of Junk is not a static exhibit. It is a three-dimensional maze of stacked tires, broken appliances, toy parts, bicycle frames, vintage signs, and more—often reaching over 20 feet in height. The paths are uneven, made of gravel, concrete, and repurposed materials. You will be walking for 45 to 90 minutes depending on your pace and level of curiosity. Wear closed-toe shoes with good traction. Avoid sandals or heels. Bring a light jacket, even in summer, as the structure casts long shadows and wind can move through the open framework. A reusable water bottle is recommended; there are no vending machines on-site.
Do not bring large bags, strollers, or pets. The narrow passages and fragile constructions make these impractical and potentially hazardous. Children are welcome, but must remain close to an adult at all times. The space is not childproofed—it is a treasure trove of curiosity, but also contains sharp edges, loose items, and unstable piles. Supervision is non-negotiable.
Step 3: Arrive on Time and Check In
Arrive exactly at your scheduled time. The tour begins promptly, and Vince or a designated guide will meet you at the front gate. Do not be early—this is a private residence, and early arrivals may disturb daily life. Do not be late—your slot may be given to another visitor. When you arrive, wait quietly at the designated meeting spot. You’ll be greeted with a warm welcome and a brief orientation.
At check-in, you’ll be given a small laminated card with a QR code. Scanning this code will take you to a digital companion guide with audio commentary, historical context, and hidden object spotlights. This is optional but highly recommended. The guide features interviews with Vince, stories behind specific objects, and insights into the evolution of the Cathedral over the past 40 years.
Step 4: Begin the Guided Walk
The tour begins at the entrance archway, constructed from a salvaged steel frame and adorned with hundreds of plastic toy dinosaurs. From there, you’ll enter the main corridor, flanked by towering stacks of old televisions, typewriters, and kitchen appliances. The guide will point out key zones: the “Tire Tower,” the “Bicycle Forest,” the “Clock Wall,” and the “Toy Cathedral.” Each section tells a story.
For example, the Tire Tower—built from over 1,200 discarded car tires—is a structural marvel held together by wire, rebar, and concrete. It was designed to withstand Texas storms and has become a symbol of resilience. The Bicycle Forest, made from over 300 bikes, represents the cycle of use and reuse. Each bike was donated by someone who no longer needed it. Many have handwritten notes attached, explaining why they were given.
As you walk, the guide will encourage you to touch, listen, and observe. Some objects chime when wind passes through. Others rattle with the movement of visitors. The Cathedral is designed to be experienced sensorially, not just visually. You’ll hear the creak of metal, the clink of glass, the rustle of plastic. You’ll smell damp earth, old rubber, and the faint scent of rust and paint.
Step 5: Ask Questions and Engage
This is not a silent tour. Vince encourages questions. Why did he choose this object? How long did it take to build? Where did this piece come from? There are no wrong questions. In fact, the most meaningful moments often come from spontaneous conversations. One visitor asked why a single child’s shoe was mounted on a pole. Vince replied, “That was my daughter’s. She outgrew it. I couldn’t throw it away. So I gave it a home.”
Don’t rush. The Cathedral rewards patience. Spend time in quiet corners. Look up. Look down. Look between the gaps. You’ll notice tiny details: a wedding ring embedded in concrete, a collection of bottle caps arranged like a mosaic, a faded postcard from 1973 tucked into a tire groove. These are not accidents. They are intentional fragments of memory.
Step 6: Respect the Rules
There are only three rules during the tour:
- Do not remove anything.
- Do not climb on structures.
- Do not use flash photography.
These rules exist because the Cathedral is not a museum—it is a home. Every object has a story. Removing even a small piece disrupts the narrative. Climbing risks damage to the structure and personal injury. Flash photography can startle birds that nest in the upper levels and disrupt the natural lighting that Vince carefully uses to highlight textures and colors.
Photography is encouraged, but only with natural light. Use your phone’s HDR mode or a low-light setting. The best time to shoot is late afternoon when the sun slants through the gaps, casting dramatic shadows across the layers of junk.
Step 7: Conclude with Reflection and Contribution
The tour ends near the back patio, where a small table holds a guestbook, a donation jar, and a bin labeled “New Additions.” This is your chance to reflect. Write a note in the guestbook. Share your thoughts. Many visitors write poems, sketches, or short stories inspired by what they’ve seen. These notes become part of the Cathedral’s living archive.
If you wish to contribute, you may leave a small item—something you no longer need but believe has character. A broken clock. A child’s drawing. A single glove. Vince accepts donations year-round, and every item becomes part of the ever-changing tapestry. Do not bring large items or hazardous materials. The goal is not to clutter, but to enrich.
Before you leave, take a moment to thank Vince or the guide. A simple “thank you” means more than you know. The Cathedral exists because of generosity—of time, of objects, of spirit. Your gratitude completes the cycle.
Best Practices
Practice Mindful Observation
The Cathedral of Junk is not about quantity—it’s about intention. Resist the urge to snap 50 photos in five minutes. Instead, pick one object and study it. What is it made of? How was it modified? What does it remind you of? The more you slow down, the more the space reveals. A rusted toaster may seem insignificant until you learn it was once used by a grandmother who baked bread for her grandchildren every Sunday. That’s the magic of the Cathedral: ordinary objects become vessels of memory.
Adopt a “No Waste” Mindset
One of the most powerful lessons of the Cathedral is that nothing is truly useless. Before your visit, take inventory of your own home. What have you stored in the attic? What’s in the garage that you haven’t used in years? Could it have a second life? The Cathedral doesn’t just display junk—it redefines it. By adopting this mindset, your visit becomes more than an outing; it becomes a catalyst for change in your own life.
Bring a Journal or Sketchbook
Many visitors find that writing or drawing helps them process the sensory overload. You don’t need to be an artist. Doodle the shape of a tire tower. Write a haiku about a broken radio. Jot down a phrase that stuck with you. These personal artifacts become your own mini-Cathedral—a private record of inspiration.
Visit in the Right Season
Spring and fall are ideal. Summer can be extremely hot and humid, making the metal structures dangerously warm. Winter is mild in Austin, but occasional rain can make paths slippery. The best time of day is late afternoon—when the light is golden, the crowds are gone, and the wind carries the sound of chimes made from bottle caps and keys. Avoid weekends if possible. Weekdays offer more solitude and deeper conversation with the guide.
Respect the Residential Context
Remember: this is someone’s home. The Cathedral is built in the backyard, adjacent to a house, a garden, and a garage. Do not peer into windows. Do not walk into non-tour areas. Keep your voice low. Be aware of birds nesting, cats resting, and plants growing. The Cathedral is not separate from nature—it is intertwined with it.
Share Responsibly
If you post about your visit on social media, avoid tagging the exact location. Instead, use hashtags like
CathedralOfJunk, #OutsiderArt, #SustainableCreativity, or #FoundObjectArt. This helps preserve the space’s integrity while still allowing its message to spread. Do not post videos showing the address or interior of the home. Respect privacy. The power of the Cathedral lies in its mystery—not its GPS coordinates.
Support the Legacy
While there is no admission fee, donations are accepted and deeply appreciated. Funds go toward structural maintenance, weatherproofing, and educational outreach. Consider making a recurring monthly donation—even $5 helps. You can also volunteer to help sort donations or assist with documentation. The Cathedral survives on community care, not corporate sponsorship.
Tools and Resources
Official Website: cathedralofjunk.com
This is your primary resource. It contains the visit request form, FAQs, historical timeline, photo gallery, and a downloadable PDF map of the tour route. The site also features a blog where Vince shares stories about new additions, visitor reflections, and upcoming community events.
Documentary: “The Cathedral of Junk” (2018)
Produced by Austin-based filmmakers, this 42-minute documentary follows Vince over the course of a year as he adds new pieces, hosts school groups, and reflects on his life’s work. It includes interviews with neighbors, art critics, and children who’ve visited. Available on Vimeo and YouTube for free. Highly recommended viewing before your visit.
Books
- “Junk as Art: The Life and Work of Vince Hannemann” by Dr. Lila Reyes (University of Texas Press, 2021)
- “The Art of Reuse: Found Objects in Contemporary Sculpture” by Marcus Chen (Rizzoli, 2020)
- “Everyday Marvels: The Hidden Poetry of Discarded Things” by Elena Torres (Chronicle Books, 2019)
These books provide deeper context on outsider art, material culture, and the philosophy behind repurposing. They are excellent companions for those who wish to explore the broader movement the Cathedral represents.
Mobile Apps
- Google Arts & Culture – Offers a virtual 360° tour of the Cathedral, complete with zoomable details and audio narration. Great for planning or if you cannot visit in person.
- ArtLens – Developed by the Cleveland Museum of Art, this app includes a section on vernacular art and allows you to compare the Cathedral to other folk art installations worldwide.
Community Groups
Join the Cathedral of Junk Community Circle on Facebook. It’s a private group of former visitors, artists, educators, and environmentalists who share stories, organize local clean-up events, and discuss sustainable art practices. It’s not a fan club—it’s a movement.
Local Partners
The Cathedral partners with Austin’s public libraries and public schools to offer curriculum-based field trips. Teachers can request a free educational packet that includes lesson plans on sustainability, art history, and creative problem-solving. These materials are available for download on the official website.
DIY Toolkit for Your Own “Mini Cathedral”
Want to create your own small-scale version? Here’s a starter kit:
- Wooden crate or pallet (base)
- Old books, broken ceramics, keys, buttons, bottle caps
- Strong glue, wire, zip ties
- Small LED lights (battery-powered)
- Journal to document each object’s story
Start small. Build one layer. Add one object with meaning. Let it grow. The Cathedral of Junk began with a single bicycle. You can begin with a single spoon.
Real Examples
Example 1: The School Group That Changed a Community
In 2019, a fifth-grade class from East Austin Elementary visited the Cathedral as part of a sustainability unit. After the tour, the students launched a school-wide “Junk to Art” challenge. They collected 800 plastic bottles, 200 broken toys, and 50 old books. They built a 6-foot-tall sculpture called “The Tree of Tomorrow,” displayed in the school courtyard. The project won a state environmental award. The teacher later wrote: “The Cathedral didn’t just teach them about recycling—it taught them that their voices matter.”
Example 2: The Artist Who Found Her Voice
Marisol, a painter from New Mexico, visited the Cathedral after a personal loss. She felt disconnected from her creativity. While walking through the “Clock Wall,” she noticed a broken pocket watch with the hands frozen at 3:17—the time her mother passed. She wrote a letter to Vince, asking if she could add her own broken watch to the wall. He said yes. She did. Now, visitors pause there, touch the glass, and leave tiny notes. Marisol returned six months later and painted a mural of the Cathedral on the side of a local café. She titled it “Time Held in Junk.”
Example 3: The International Visitor Who Started a Movement
A German architect named Klaus visited the Cathedral in 2020 and was so moved that he returned home and began teaching his students to build “Urban Cathedrals” from discarded urban materials. He organized a city-wide exhibition in Berlin called “The Beauty of the Broken.” Over 12,000 people attended. He wrote to Vince: “You showed me that beauty doesn’t come from perfection. It comes from honesty.”
Example 4: The Family Who Turned Grief into Legacy
After losing their son to cancer, the Ramirez family donated his entire collection of toy cars, action figures, and handmade drawings to the Cathedral. They didn’t ask for recognition. They just wanted his things to live on. Vince built a small altar-like structure for them near the entrance, called “The Boy Who Never Grew Up.” Each year on his birthday, the family visits. Visitors often leave tiny toy cars beside it. No one is told what it means. No one needs to be.
Example 5: The Teenager Who Wrote a Book
At age 16, Elijah visited the Cathedral on a school trip. He was quiet, skeptical. But by the end, he was sketching furiously. He went home and wrote a 120-page illustrated novel called “The Cathedral of Forgotten Things.” It was self-published and sold at local bookstores. A publisher later picked it up. The book is now used in high school literature classes across Texas. Elijah’s author bio reads: “I learned that what the world calls junk, I call memory.”
FAQs
Can I just show up without booking?
No. The Cathedral of Junk is located on private residential property. Visits must be scheduled in advance through the official website. Unannounced visitors will not be admitted.
Is there an admission fee?
No. The Cathedral is free to visit. Donations are accepted and greatly appreciated to help maintain the structure and support educational outreach.
How long does the tour take?
Typically 45 to 90 minutes, depending on your pace and how many questions you ask. The guide will adjust the length based on your interest.
Are children allowed?
Yes, but they must be supervised at all times. The structure is not childproofed, and some areas have narrow passages or unstable piles.
Can I donate items to the Cathedral?
Yes. The Cathedral accepts small, non-hazardous, character-filled objects year-round. Please email the website first to confirm what’s needed. Large items or electronics require prior approval.
Is the Cathedral wheelchair accessible?
Due to its uneven terrain, gravel paths, and multi-level construction, the Cathedral is not fully wheelchair accessible. However, the front entrance and patio are level, and a shortened version of the tour can be arranged for visitors with mobility needs. Contact the website in advance to discuss accommodations.
Can I take photos?
Yes, but no flash. Tripods are not permitted. Photography is encouraged as long as it does not disrupt the experience of others or damage the structure.
Is the Cathedral open year-round?
Yes, weather permitting. Tours are typically offered Wednesday through Saturday, with limited availability in July and August due to heat. Always check the website for updates.
What if I want to volunteer?
Volunteers are welcome! Whether you can help sort donations, assist with documentation, or lead school tours, your time is valuable. Contact the website to express interest and attend a brief orientation.
Has the Cathedral been featured in media?
Yes. It has been covered by National Geographic, The New York Times, BBC, and NPR. It was also the subject of a TEDx talk titled “The Architecture of Memory.”
Can I host a private event there?
No. The Cathedral is not available for weddings, parties, or commercial events. It is a sacred space of personal expression, not a venue.
Conclusion
Touring the Cathedral of Junk is not a tourist activity—it is a pilgrimage. It is not about seeing something unusual. It is about seeing the world differently. In a time when consumption is normalized and waste is ignored, the Cathedral stands as a quiet, defiant monument to possibility. It says: what you throw away is not dead. What you discard still holds meaning. What is broken can be reborn.
When you walk through its corridors, you are not just observing art—you are participating in a conversation that spans decades, continents, and generations. You are holding space for the stories of strangers, the memories of children, the dreams of the forgotten. You are learning that creativity does not require resources—it requires vision. And that vision is not reserved for artists or experts. It belongs to anyone willing to look closely, listen deeply, and care enough to keep things alive.
As you leave the Cathedral, you may not carry home a souvenir. But you will carry something more enduring: a new way of seeing. A renewed respect for the overlooked. A quiet determination to give second chances—not just to objects, but to ideas, to people, to moments we thought were over.
So go. Book your visit. Walk slowly. Ask questions. Leave something behind. And when you return home, look at your own clutter with new eyes. Because the Cathedral of Junk is not just in Austin. It lives wherever someone chooses to see beauty in what others call waste.